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The Film-Makers' Cooperative
c/o The Clocktower Gallery
108 Leonard Street, 13 floor
New York, NY 10013
USA
phone: 212-267-5665
fax: 212-267-5666
e-mail: film6000@aol.com
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Film Catalog: Online SearchCyndi Haas Home
(1988) 16mm, black and white, sound, 1 min Genre: Experimental Keywords: Comedy "Disturbing and funny; funny and disturbing. Cyndi Haas' film leaves the conclusions for the audience to find on their own." --Joel Schlemowitz Rental: $20.00 |
Daniel L. Halas AIS-No. 1-68 16mm, black and white, silent, 22 min Genre: Experimental Thirteen film clips shot by military students. This was the first filming and editing ever done by such students. Each student had 16 hours instruction, including the time to shoot and edit. Each segment was shot and edited by two men, members of the Advannced Information Specialist Class No.1 of fiscal year 1968 at the Defense Information school (DINFOS), Fort Benjamin Harrison, Indiana. These clips made by this class somehow summed it up for me. --D. L. H. Rental: $22.00 |
Daniel L. Halas Editing Reel (With Subtitles) 16mm, black and white, silent, 13.75 min Genre: Experimental This is the training aid film I made up in order to help me convey a few basic principles of film editing to the military students I teach. It has been very effective aid to me in the classroom. The points made in it about editing are applicable to any type of film-making. It could be used to teach editing on any level, not only military. Here's what the film has in it: The difference between rushes and edited film - an example of rushes, a rough cut and a fine cut using the same footage. Jump cuts - how to make them and how to avoid them. Examples of avoiding jump cuts through cross-cutting and match-cutting. How to select subject matter within a camera-run. Tempo and pacing. How to pace a film by action within a shot. How to maintain an even tempo and pick up the pace; the effects of an uneven tempo; how to vary tempo. A warning not to over-edit. --D. L. H. Rental: $20.00 |
Daniel L. Halas Golfer 16mm, black and white, silent, 1 min Genre: Experimental This loop creates the effect of slow motion through editing, rather than the camera. Rather than filming at more than 24fps., I spliced black leader (4 frames) in-between each frame of image to expand time and give a slow motion effect. It is a sort of curious piece of film, if you didn't know already that is what would happen if you spaced out single frames with black leader. --D. L. H. Rental: $20.00 |
Maxine Haleff The Forbidden Playground 16mm, black and white, sound, 10.5 min Genre: Experimental A dance film, photographed in a modern playground, with a documentary sequences of NASA astronauts. Part I-'Moonplays'. Part II-'Sunspace'. --M. H. Rental: $20.00 |
Tony Hall Flight Plan 16mm, color, sound, 5.25 min Genre: Experimental The Canadian North is the setting for this simple story of an Indian boy, and his relationship with a magic kite-an extension of the youth's aspirations for growth, and struggle for survival. --T. H. Rental: $20.00 |
Robert Haller Notes on the Buffalo Conference: "Autobiography in American Independent Cinema"
(1973) 16mm, black and white, silent, 7.5 min Genre: Experimental During the 1970s I shot, helped to make, or commissioned about ten document films, mainly about film-makers. This film is one of them. It was made with Dan Ochiva, who acted as cameraman on about half of the footage. I shot the rest, and then edited the film. It is a record of a conference held at the State University of New York at Buffalo on March 22-25, 1973. Among the participants filmed were Gerald O'Grady (who organized the conference), Will Hindle, Stan Brakhage, Jonas Mekas, Robert Creeley, Bruce Baillie, Scott Bartlett, Hollis Frampton, Ken Jacobs, Ed Pincus, Stan Vanderbeek, Ed Emshwiller, Sally Dixon, James Cox. This footage will eventually become part of my film PEOPLE, PLACES, THE 1970S. --R. H. Rental: $22.00 |
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