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Law of Desire (1996) VHS NTSC, color, sound, 18 min

Genre: Experimental

This tape is part three of the white trash girl series (see above). This particular episode features Trelita, a Chicana sex worker with an abusive boss and a dead boyfriend (who she may or may not have murdered). This tape suggests that all attempts to deconstruct/overcome oppression must regard race, class and gender equally.

Rental: $50.00

Peggy Ahwesh

The Scary Movie (1996) 16mm, color, sound, 9 min

Genre: Experimental

Keywords: Family, Films about Film, Media

With Martina Torr and Sonja Mereu. "... THE SCARY MOVIE, by Peggy Ahwesh, [is an] amazingly complex (and just plain amazing) film informed by a wide range of issues and concerns, including feminism, psychoanalytic theory (especially Jacques Lacan), home-movie aesthetics, film genre conventions, and the notion of self-reflexivity in film. ... [S]he plays with the Freudian concept (filtered through Lacan) of the female's 'lack' of a penis, turning this core issue of psychoanalytic thinking on its head. ... In [this] film it is the male who 'lacks,' men being conspicuously absent, even when the 'narrative' calls for male roles. ... Ahwesh's work ... is notable in the way that it combines subjects of seriousness and gravity with an unparalleled control of the film medium, a disarming wit, and a frankness that catches one by surprise." -- Patrick Friel, Indianapolis Museum of Art

Rental: $30.00

Peggy Ahwesh

Trick Film (1996) 16mm, color, sound, 6 min

Genre: Experimental

Keywords: Erotic

Activities at home with the Mistress and her naughty pet.

Rental: $30.00

Rebecca M. Alvin

Voices (1996) 16mm, color & b/w, sound, 23.25 min

Genre: Narrative

Keywords: Psychology & Mental Health

An unusual character study of an aging Catholic woman dealing with the eminent loss of her husband and her rowing delusion-filled mental illness. The film examines the alienation and loneliness of aging and of mental illness, while also exploring religion as a coping mechanism. Voices combines elements of fantasy, psychological horror, and drama into a thoughtful character study. It has been shown in a number of venues in the United States, including the Utah Short Film & Video Festival.

Rental: $70.00

Alan Berliner

Nobody's Business (1996) 16mm, color & b/w, sound, 60 min

Genre: Documentary, Experimental

Keywords: Family

Alan Berliner takes on his reclusive father as the reluctant subject of this poignant and graceful study of family history and memory. What emerges is a uniquely cinematic biography that finds both humor and pathos in the swirl of conflicts and affections that bind father and son. Ultimately this complex portrait is a meeting of the minds - where the past meets the present, where generations collide, and where the boundaries of family life are pushed, pulled, stretched, torn and surprisingly at times, also healed. Particularly in this age of low format video proliferation, Nobody's Business is notable for its masterful editing, stunning craft and exquisite filmmaking. Filmmaker Alan Berliner achieves a rare feat of inter-generational sleuthing as he weaves together aesthetically and emotionally rich interviews with his father and other family members, an extraordinary array of archival material, and live action sequences to create an inventive and touching essay on memory and family. Mining the hitherto untapped resources of long-distance relatives, some of whom were unknown to him prior to the making of the film, Berliner touches upon universal themes relating to families, regardless of cultural background. -- Rockefeller Foundation Catalogue "Alan Berliner illustrates the power of fine art to transform life." -- THE NEW YORK TIMES "A funny, poignant, and densely textured look at family and personality... a film of unusual charms and stylistic verve -- affecting and revealing." -- VARIETY "A storyteller of profound scope and an editor of eye-popping skill, Berliner ultimately coaxes a hugely entertaining story out of his relatives -- an Albert Brooks comedy with the gravity of personal history. " -- CITY PAGES The News and Arts Weekly of the Twin Cities A gift to the whole human family -- hilarious, tender, provocative, witty, touching, instructive and, as with all works of art, exhilarating." -- NEW YORK JEWISH WEEK "I know of no one working in personal films today who can do so well what Alan Berliner does: bring dramatically alive the intense agon and ambivalence and love within families. His dazzling technical mastery of the relation between sound and image is always kept in the service of deep psychological truths." -- Philip Lopate. FILM COMMENT "What leapfrogs Berliner's work to the head of the pack is a combination of passionate involvement, cool/detached intellect, thematic consistency that mirrors the universal in the personal... and a virtual inability to bore the viewer. A Berliner hour is like a New York minute -- a lot happens in a short amount of time, and it's over before you know it." -- Morrie Warshawski, CHICAGO JEWISH STAR

Rental: $180.00

Frank Biesendorfer

No. 10 Supernarzisst (1996) 16mm, b&w, Silent, 6 min

A self portrait film about self-conscientiousness and posing in front of a PEZ machine

Rental: $25.00

Frank Biesendorfer

Pelikan (1996) 16mm, color, silent, .1 min

Genre: experimental

Keywords: diary_ journal

A film that deals with movement and transformation

Rental: $20.00

Stan Brakhage

Beautiful Funerals (1996) 16mm, color, silent, 20 min

Genre: Experimental

BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines. Finally there is a brilliant pinkish flare veined with curled blue lines which engenders a resolution between these (above described) alternating modes -- colors in the straight-line sections, lines among the artifice of "flowers," a kind of dark lattice-form which knits the two modes, gray and colored "clouds" which correlate them. (Note: the credit to Sam Bush, Western Cine, is simply an homage to his creative craftsmanship. He is a paid employee of Western Cine, Denver, Colorado, who was hired for this job: he is in no sense a collaborator on this work.)

Rental: $60.00

Stan Brakhage

Blue Value (1996) 16mm, color, silent, 2.5 min

Genre: Experimental

This is a hand-painted step-printed film which begins with slow dissolves of what appear to be decaying leaves, crumpled browns and golds and oranges which assume qualities of earth and rock shot-through with flashes of crystalline prism colors and jagged scratch marks amidst glows of multiple coloration with increasing blues, varieties of tones of blue, from turquoise to near-purple -- these variations of tone (and shape, as well) gradually convey, given the comparatively few appearances of blue, a formal domination over all other tones (and attendant shapes) of the spectrum of the film.

Rental: $20.00

Stan Brakhage

Commingled Containers (1996) 16mm, color, silent, 3 min

Genre: Experimental

The film begins with anamorphic lens vision of water, prismatically etched dark blue needles of watery turbulence shifting radically in sudden twists of the anamorphic lens. . . a sense of a violently roughened surface to a stream which cuts to a darkened quietude of gently evolving under-water bubbles, pulsing like living entities. The entire film juxtaposes its water surface tensions and its under-water pulsing forms of light, its blues of water surface reflecting sky, and whites of watery turbulence, and its sub surface world of quiet whites yellows and oranges, ending finally on a surface shot which resolves these tones.

Rental: $20.00